性别与空间——《野草在歌唱》的女性主义地理学解读
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Gender and Space: the Interpretation of The Grass Is Singing from the Perspective of Feminist Geography
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    摘要:

    本文从女性主义地理学的角度解读多丽丝?莱辛处女作《野草在歌唱》中性别与空间区隔的关系:由于父权社会里既有的性别分工和性别气质刻板印象,玛丽被局限于女性化的私人空间里;私人空间也再现和强化了玛丽的弱者地位,阻碍了她掌管自我命运的潜能。性别与空间区隔之间互为影响和加强,而非表面“自然”而然的关系。

    Abstract:

    From the perspective of feminist geography, this paper interprets the relationship between gender and spatial distinction in Doris Lessing's The Grass Is Singing: due to the gender division of labor and gender stereotypes in the patriarchal society, the protagonist Mary is restricted to the feminized private space; the private space also reflects and reinforces Mary's position as the weak and hinders her potential for selfreliance. The relationship between gender and spatial distinction is that of interaction and interintensification rather than the apparent “natural” one.

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李丹玲.性别与空间——《野草在歌唱》的女性主义地理学解读[J].重庆工商大学社会科学版,2012,29(4):96-100

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