中国传统刺绣艺术的风格多样性及其特征探讨
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Style diversity and character of China traditional embroidery art
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    摘要:

    中国在明清以后,各地生产的刺绣品,逐渐形成不同的风格,以其独特的面貌著称于世。此时刺绣工艺已发展成熟形成了苏、湘、粤、蜀四大著名地方绣种派别,合称为中国“四大名绣”。巴渝民间刺绣是优美纯朴的乡土刺绣艺术的代表,巴渝民间刺绣艺术民俗特征突出的表现在:一、刺绣存在表现的方式上——是伴随着生活实用而存在的,刺绣制作主要是在服装、被面、床单、帐幔、枕套、鞋帽、背娃带、背包等之上;二、刺绣图形纹样造型上——有明显的环境地域性、寓意体现出纯净的乡土平民性、象征中的世俗生活理想性、造型风格的自然真实性、布局结构的雅俗共谐性。

    Abstract:

    After Ming and Qing Dynasty, the embroidery products in China gradually have their own style and their unique characters have been famous in the world. Embroidery art has developed at that time and formed such Four Schools as Jiangsu, Hunan, Guangdong and Sichuan which called Four Famous Embroideries. The folk embroidery of Chongqing has beauty and pure character and is the represents of folk embroideries and their characters are embodied in costume, the facing of a quilt, bedclothes, tents, pillowcase, shoes and caps, belt for bearing a child, packsacks and so on and have obvious geographical character which embodies pure folk character and symbolizes life and expectation, and their styles are real and natural and harmonious in structural allocation.

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