Great Upsurge of Translation of the 1980s had achieved backwash and confrontation to political ideology of “tool theory”, and “theory of reflection” through the introduction of western modern literary theory resources. At the same time it was the process of aesthetic selfdiscipline and aesthetic construction of ontology. The method of “theory of aesthetic selfdiscipline” and “pluralism” had become the two main fulcrums of Great Upsurge of Translation, prompted the modernist literary text construction with the form of selfdiscipline. Theory of selfdiscipline aesthetic prompted the aesthetic activity from external “heteronomy” to the aesthetic “selfdiscipline”. Formalism literary theory, structuralism theory, etc had been introduced to China which had prompted the aesthetics and literary criticism from outside to inside, from content to form, from thought to word revolution, which also directly inspired the creation of Chinese modern literature and pioneer novels, and which activated the latent since new period “formal” impulse, so as to make the form and language experiment in the 1980s coruscate and play more and more important role in literary creation. Method of “pluralism”, the new methods and new perspectives of criticism, also builds the freedom literary criticism and judgment path of aesthetic value, provides a brand new path to enter the literary world, which brought more profound space for the literature’s development.