This paper aims to analyze three Caribbean American women writers’ novels: Paule Marshall’s Brown Girl, Brownstones, Edwidge Danticat’s Breath, Eyes, Memory, and Julia Alvarez’s How the Garcia Girls Lost Their Accents. By expounding the theme of “return” in these three works, this paper aims at revealing the complexity in the concept of “homeland.” The female protagonists in these three works—Selina, Sophie and Yoland—grew up in the United States and are away from their Caribbean nativelands; as for them, their comingofage is the homeseeking process. However, through their experiences, it seems that the United States is not Caribbean immigrants’ homeland and the beloved nativeland is not the place where they could return, either. Therefore, the diasporic Caribbean immigrants quest for a “homeland” where they may belong. And the diasporic Caribbean women writers are seeking and reconstructing homeland through their writings.