乡土伦理的缩影:儒家文化视野下
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The Epitome of Local Ethics: the Interpretation of Images in Bailuyuan from the  Perspective of Confucianism
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    摘要:

    《白鹿原》作为陈忠实的代表作,不仅展现了20世纪以来中国乡土社会经历的种种变迁,而且通过中国一系列鲜活人物形象的完美塑造表达了对儒家文化现代命运的思索。在以白鹿原为缩影的中国传统乡土伦理社会中,不仅有对儒家文化忠贞不渝的守望者,也有誓死不归的反叛者,同时也有浪子回头的皈依者,这就是儒家文化的现代命运。

    Abstract:

    As the masterpiece of Chen Zhongshi, Bailuyuan not only showed the various changes which had taken place in China’s local society since the 20th century, but expressed the writer’s speculations on modern destiny of Confucianism by way of shaping a variety of vivid figures. In the traditional Chinese local ethical society with Bailuyuan as the typical epitome, there were not only devoted catchers for Confuciousim, but firm rebels and awakening converts, which was the very modern destiny of Confucianism.

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