作者精神权利在著作权法中的优越地位
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On the Superior Position of Moral Rights in Copyright Law
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    摘要:

    作者精神权利在国际立法中经历了从无到有的发展态势,其所昭示的嬗变过程意味着国际社会对作者人格利益的重视和对人权价值的保护。作者精神权利在著作权法上的地位历经变迁后,现为各国著作权法所规制和调整,但其称谓、所处层次和内容并非完全一致;我国立法对该权利的保护超越了《伯尔尼公约》所定之标准。在新媒体技术条件下,作者精神权利的经济价值凸显,其在著作权法中的地位亦逐步扩张并已突破自身的限制,朝着经济权利的方向发展。

    Abstract:

    The author’s moral rights experience the development trend from nonexistence to existence in international copyright law and their demonstrated changing process means the emphasis on the personality interests of the authors and the protection of human right value by international society. After the position of the moral rights of the authors in copyright law changes, the moral rights are regulated and amended by the laws and regulations of all countries, but their appellations, level and contents are not completely identical, and China’s legislation on the protection of copyright transcends the standard of Berne Convention. Under the conditions of the new media technologies, the economic value of the moral rights is gradually highlighted, trying to get ride of the restriction of the existed theories and to develop towards economic rights, therefore, the position of moral rights in copyright law has gradually expanded and has exceeded the limits itself and has taken a superior seat.

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