“文学研究中的哥白尼革命”:国内洛特曼研究述评
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“Copernicus Revolution in Literature Study”: Review of Domestic Research on Lotman
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    摘要:

    “文学研究中的哥白尼革命”是国内学界早期对洛特曼填平内部研究与外部研究鸿沟,消弭科学与人文界限的称誉。目前洛特曼正在面临重新语境化,文化身份被改写。就价值立场而言,国内学界趋向将洛特曼美学对接解构主义、文化诗学,强调洛特曼对结构主义的超越格局和后学气象。就理论形态而言,致力于激活洛特曼恢弘的文化视野下符号学具有的哲学、语言学、历史学、文学史、文化史等跨学科特性和方法论本质,原归于结构符号学的单一轨道进度至文化符号学多轨并进。洛特曼原有镜像的转型,不仅开拓了洛特曼理论的接受视野,而且启发了“后理论时代”的文

    Abstract:

    “Copernicus Revolution in Literature Study”is the praise for Lotman’s healing the internal research and external research gap and eliminating the science and humanities boundaries by early domestic academics. Currently, Lotman is facing contextualization again and his cultural identity being changed. In terms of value position, domestic academics incline their theory to deconstruction and cultural poetics, emphasize its theoretical deconstruction factor and postmodernism style. From theory of forms angle, domestic academics committed to activate Lotman’s magnificent culture from the perspective of semiotics, linguistics, history of philosophy, literature, history, cultural history and interdisciplinary characteristics and methodological essence from single orbit of structural semiotics to multiorbit development of cultural semiotics. Lotman transformation of the original image not only opens up the Lotman theory of the horizon, but also inspires the" posttheoretic era" of literary and cultural studies.

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