Eugene Ionesco is one of the leading playwrights of Theater of Absurd. He adopts a series of “antidrama” artistic techniques, such as simplifying plots, debasing language, peeling off characters’ individuality and skillfully using properties, to make up a number of absurd yet artistic pictures, which could project people’s hollow living situation and boring psychology in western society after the war. Yet, the readers could trace the inner alarming implications through Ionesco’s surreal dramas and further clearly witness his ideas to pull back people from a state of vanity and to reconstruct a solemn and true society.