| 摘要: |
| 中国古代戏曲的评点方式、评点风格和评点旨意与诗、文、小说等文体基本相同，但在内容上，戏曲评点则呈现以文本接受为基础，进而导引读者舞台接受的功能。从评点风格上看，早期戏曲的评点内容近乎观众的剧场感言，后期的评点内容则表现为各有侧重地构建系统的戏曲理论。除了指导读者的案头接受，中国古代的戏曲评点还有指导观众欣赏舞台艺术的功能。另外，从现存各戏曲评点本的评点形态和评点内容上看，后期的戏曲评点还表现出自觉遵依诗、文和小说等评点轨范的倾向。 |
| 关键词: 戏曲评点 诗文评点 小说评点 案头接受 |
| DOI： |
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| From the Audience's Sentiments to Systematic Theories Construction:Practical Interpretations on the Commentary of Chinese Ancient Opera |
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WANG Liang-cheng
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| Abstract: |
| The major styles，flavor & motives of the commentary of Chinese Ancient Opera were nearly the same as the traditional poems，prose and novels'，but the major content of the commentary of T Chinese Ancient Opera had a lot of differences with the latter.The difference was that the commentary of Chinese Ancient Opera had a function in leading the readers to accept both the texts and the stages，but the commentary of Chinese Ancient Opera，prose & novels didn't have the same purposes.So many earlier styles of the commentary of Chinese Ancient Opera were just like the audience's sentiments so that they were faint in theory，but critics at a later stage constructed their theories purposively.In short，for the aims of theories construction，the commentary of Chinese Ancient Opera had to abide by the rules of the poems，prose & novels conscientiously. |
| Key words: the commentary of Chinese Ancient Opera the commentary of poems & prose the commentary of novels reception through reading |
