| 摘要: |
| 争论多年的“三大戏剧体系”仍然包含着诸多意犹未尽的话题。考察新旧“三大戏剧体系”需从梅兰芳到阿尔托的演变过程中了解梅兰芳的延后影响及其阿尔托的在场失语，通过在“体系”内对布莱希特和阿尔托进行比较，既可以对“三大戏剧体系”的演变作出新解读，也有助于增进对阿尔托的理解和接受。 |
| 关键词: “三大戏剧体系” 缺席 在场 梅兰芳 阿尔托 |
| DOI： |
| 分类号: |
| 基金项目: |
|
| Malposition between Absence and Presence——The Controversy of Mei Lanfang and Artaud in “Three Drama Systems” |
|
KANG Jian bing, ZHANG Yeying
|
| Abstract: |
| There are still many enlightening topics on the Three Drama Systems after years discussion. Through the exploration of Mei Lanfang’s delayed effect and Artaud’s presence silence during the process from Mei to Artaud, and through the comparison between Brecht and Artaud in the System frame, we can get not only a new interpretation on the System, but also can promote to understand and accept Artaud. |
| Key words: “Three Drama Systems” absence presence Mei Lanfang Artaud |
