| 摘要: |
| 电影《白鹿原》史诗性不足为人所诟，究其原因，主要是影片女性叙事策略的采用，遮蔽了厚重的历史叙事的内质，使电影的史诗风格和史诗氛围有所缺失。影片把田小娥和男人们的情感发展作为故事的主线，使情欲和本能成为了影片主题，女性镜像体系掩盖了土地和农民的关系、历史和民族命运的历史叙事。这种女性叙事策略的选择，和导演的创作观念和风格倾向，存在着必然联系。同时，也使《白鹿原》现在时态的电影文本，呈现出史诗性缺失的必然肌理。 |
| 关键词: 女性镜像 单线叙事 历史叙事 情欲 |
| DOI： |
| 分类号: |
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| Bailu Plain: The Historical Narrative Covered by Woman strategy |
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ZhengJing， WangXiaoning
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| Abstract: |
| Due to a lack of epic, the movie “Bailu Plain” is criticized widespread, and the root cause is the woman strategy taken by the movie covers the essence of rich historical narrative which results in a lack of epic style and epic atmosphere. Affect development of Tian Xiaoe and her men is taken as the storyline which makes lust and instinct become the theme of the movie. Female image system covers the historical narrative of the relationship between land and farmers, history and national destiny. The choice of female narrative strategy has necessary connection with the director’s creation idea and style propensity, which meanwhile makes the present tense movie text of “Bailu Plain” lack necessary epic texture. |
| Key words: female image single line narrative historical narrative lust |
