| 摘要: |
| 根据文学剧本《寻找》改编的电影《云水谣》，采取时空交错的手法，沿袭“寻找”的情感足迹，将单一的爱情主题拓展到爱情与祖国的统一。蒙太奇手法的杰出运用和全面采用 DI（数字中间片）技术，虽成功地解决了主旋律电影的意识形态导向和商业大片的视听表现和运作模式，却因镜头的过多闪回与切换，各种电影类型的杂糅与组合，不仅显得零乱，而且也削弱了历史的沧桑感，使影片罩上鸳鸯蝴蝶的外衣。 |
| 关键词: 爱情电影 《寻找》 《云水谣》 电影改编 DI技术 主流价值 人文关怀 |
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| Almost a Whole Life Vicissitudes Can not Cut the Real Feelings across Taiwan Strait——From “Looking For” to “The Knot” |
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WANG Ming jian
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| Abstract: |
| The film “The Knot” revised from literature play “Looking For” uses time space intertwining method, traces the emotion of “looking for”, and extends the single loving theme into the unity of loving and the unification of the motherland. Although the splendid use of Montage method and overall application of DI (digital intermediate) technology successfully solve the ideological orientation of the theme of the film and the operation model of the audio visual expression of a commercialized film or a drama, excessive flashback and lens switching as well as the inclusion and combination of various movie types make this film not only look in a mess but also weaken its vicissitude feeling to make this film wear the coat of a mandarin duck and a butterfly. |
| Key words: waiting for a lover by real feelings “Looking For” “The Knot” film revision DI technology mainstream value human care |
