| 摘要: |
| 《振振堂诗稿》的艺术成就，其七言古风大有李太白遗风；七言律诗饱含杜少陵、李商隐余韵；钟云舫的“新乐府”诗焕发出白居易的风采；其“无题”诗与李商隐“无题”一脉承传；钟云舫七言绝句有李白七绝的韵味；七绝“咏史”与杜牧七绝“咏史”神似。钟云舫一人而兼唐诗几大巨擘绝技。另外钟云舫诗歌长于抒情，善用比兴，又远宗“诗骚”，熔《诗经》的写实与《楚辞》的浪漫于一炉。钟云舫诗歌还长于铺叙，爱用典故，杂糅先秦两汉散文大师笔法，从而形成钟云舫诗歌独特的艺术个性。钟云舫还不愧为内地“诗界革命”的先驱，为旧体诗的通俗化、白话化、大众化，努力创出一条新路。 |
| 关键词: 钟云舫 《振振堂诗稿》 艺术风格 |
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| On Artistic Style of Zhenzhentang Poetic Manuscripts of Couplet Sage Zhong Yunfang |
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FU Zheng yi, LI Liang yang
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| Abstract: |
| The artistic achievement of Zhenzhentang Poetic Manuscripts includes ancient style with Qiyan like Li Bai style, Du Shaoling and Li Shangyin’s style in his Qiyan poems, Bai Juyi’s style in his “New Lefu poems”, his “Titleless Poems” consistent with that of Li Shangyin, Li Bai style of Qijue in his Qiyanjueju, and his Qijue on “eulogizing history” exactly similar to Du Mu’s “eulogizing history”. Zhong Yunfang had unique skill of several poets of Tang Dynasty. In addition, Zhong Yunfang’s poems were good at expressing emotions, comparison and exalted mood, learned from “Shisao”, combined realistic description of The Book of Odes with romanticism of The Odes to Chu. His poems had their unique artistic individuality because he was good at expression and classic stories, mixed the writing styles of the prose masters in the Pre Qing Dynasty and the Han Dynasty. Zhong Yunfang deserved to be called the forerunner of Revolution in Poetic Circle”, made efforts to create a new way for popularization, vernacular writing and universality of old poems. |
| Key words: Zhong Yunfang Zhenzhentang Poetic Manuscript artistic style |
