| 摘要: |
| 王维的“凝情取象”、苏轼的“随物赋形”对于理解“诗中有画”的画意有着重要意义：其一，“凝情取象”、“随物赋形”体现了具有画家视角的诗人对“形”、“象”的觉醒，诗歌的绘画性需要“形”、“象”来体现，这是诗歌呈现画意的根本前提和根本保障；其二，它们回答了生成画意的方式和类型，“随物赋形”就是以再现的方式生成模仿型画意，“凝情取象”就是以表现的方式生成意象型画意。 |
| 关键词: 诗中有画 凝情取象 随物赋形 模仿型画意 意象型画意 |
| DOI： |
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| The poets with painters’views and poetry’s picturesque description——Taking making shapes by feelings and making shapes by imitating things as an example |
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WANG Zeng yi
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| Abstract: |
| Shapes made by feelings mentioned by Wang Wei and shapes made by imitating things mentioned by Su Shi have important significance for us to grasp the picturesque description of painting in poetry: Firstly, they reflect that the poets with painters’views keep sense of shapes and that the character of painting needs to have the aid of shapes to be reflected because the picturesque description of painting in poetry must presuppose shapes. Secondly, they are methods and kinds for making the picturesque description of painting in poetry. Shapes made by imitating things are the picturesque description of imitation which is called Reappearance. Shapes made by feelings are the picturesque description of images which is called Manifestation. |
| Key words: painting in poetry shapes made by feelings shapes made by imitating things the picturesque description of imitation the picturesque description of images |
