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| 摘要: |
| 四声递用与抑扬清浊之说 ,便是古人在“进一步安排”上用心而作出的发挥。有关这两方的论述 ,见于明清两代的诗论家 ,尤以清人论述为多。本文将就其意见进行疏释、分析或补充 |
| 关键词: 近体诗,中国古典诗歌,四声 |
| DOI： |
| 分类号:I207.22 |
| 基金项目: |
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| Repetition of Four Tones of Rising, Falling, Pure and Impure Chinese Pronunciation in Modern Style Poetry |
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邝健行' target='_blank'>KUANG Jian-xing
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| Abstract: |
| The repetition of four tones of rising, falling, pure and impure Chinese pronunciation aims to give free rein to further arrangement for poems creation of ancient Chinese, which is seen in poetry commentators in Ming and Qing Dynasty and most in Qing Dyna |
| Key words: modern style poetry,Chinese ancient poems,four tones, |
