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| 摘要: |
| 新中国27年(1949-1976)的戏剧同其他文学形式一样也走过了一道从颂歌走向畸形的轨迹.在现实题材剧禁忌越来越严重的情况下,一些有个性的艺术家转入对历史题材的探索,从而在50年代末至60年代初掀起了一个以老舍的<茶馆>和田汉的<关汉卿>为代表的历史剧创作高潮. |
| 关键词: 新中国,现实,历史剧 |
| DOI： |
| 分类号:I207.411 |
| 基金项目: |
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| One- sided and Distorted Dramas--On the development of the Chinese dramas from 1949 to 1976 |
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王晓初' target='_blank'>WANG Xiao-chu
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| Abstract: |
| Like any other styles of literary writing, the drama writing in the New China from 1949 to 1976 followed an abnormal road from eulogy to distortion. As there were more and more taboos for realistic dramas, some dramatists with unique characters turned to |
| Key words: New China, reality, historical dramas |
